All Richard Parkes Bonington 's Paintings

The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters

Choice ID Image  Painting (From A to Z)       Details 
43976 A Venetian Scene  A Venetian Scene   c. 1828 Watercolour, 180 x 250 mm
22807 At the English Coast (mk22)  At the English Coast (mk22)   1825 Watercolor,14.1 x 23.1 cm Budapest,Szepmuveszeti Muzeum
33925 Beach in Normandy  Beach in Normandy   mk87 c.1826/27 Oil on canvas 33x44cm London,Tate Gallery
21440 Beach in Normandy (mk09)  Beach in Normandy (mk09)   c.1826/27 Oil on canvas,33 x 44 cm London,Tate Gallery
22808 Beach in Normandy (mk22)  Beach in Normandy (mk22)   c 1826/27 Oil on canvas,33 x 44 cm London,Tate Gallery
28501 Boats on the Shore of Normandy  Boats on the Shore of Normandy   mk60 ca.1825 Oil on canvas 13x18"
52517 Death of the Prince de Talmont  Death of the Prince de Talmont   1823 Oil on canvas, 82 x 56 cm
87982 Die normanische Kuste  Die normanische Kuste   1823-1824 Medium Oil on canvas Dimensions 45 x 38 cm cjr
20841 Francis Iand the Duchess of Etampes (mk05)  Francis Iand the Duchess of Etampes (mk05)   Canvas 14 x 10 1/2''(35 x 27 cm)Acquired in 1849 INV 10045 (MN)
87155 Franz I. und Margarete von Navarra  Franz I. und Margarete von Navarra   Date 1827(1827) Medium Oil on canvas Dimensions Deutsch: 46 x 34 cm cjr
91933 Franz I. und Margarete von Navarra  Franz I. und Margarete von Navarra   1827(1827) Medium oil on canvas Dimensions Deutsch: 46 X 34 cm cyf
73566 Greek Armatole  Greek Armatole   Greek Armatole (irregular fighter). Oil painting, 1825-6. 0.33x0.26 m. Gift of Damianos Kyriazis. Code number in the Museum: XX 11197 cjr
44243 Henri III  Henri III   1827-28 Oil on canvas, 54 x 64 cm
58269 Normandy  Normandy   Normandy, c. 1823.
44230 On the Adriatic  On the Adriatic   c. 1826 Oil on cardboard, 30 x 43 cm
44248 On the Coast of Picardy  On the Coast of Picardy   1826 Oil on canvas, 37 x 51 cm
2916 Rouen from the Quais  Rouen from the Quais   1821 British Museum, London
23258 Rouen from the Qualis (nn03)  Rouen from the Qualis (nn03)   1821 Watercolour on paper h40.5 x w15 7/8 x w10 3/4 in British Museum,London
48966 Rue du Gros-Horloge a Rouen  Rue du Gros-Horloge a Rouen   mk192 1824 lithograph 9x9in
96071 St. Mark's Column in Venice  St. Mark's Column in Venice   Oil on canvas. Tate Gallery of British Art, London, UK Date c.1826-1828 cjr
43975 Sunset in the Pays de Caux  Sunset in the Pays de Caux   1828 Watercolour 200 x 260 mm
33926 The Column of St Mark in Venice  The Column of St Mark in Venice   mk87 c.1826-1828 Oil on canvas 45.7x37.5cm London,Tate Gallery
21441 The Column of St Mark in Venice (mk09)  The Column of St Mark in Venice (mk09)   c.1826-1828 Oil on canvas,45.7 x 37.5 cm London,Tate Gallery
20842 The Parterre d'Eau at Versailles (mk05)  The Parterre d'Eau at Versailles (mk05)   Canvas,17 1/4 x 21 1/2''(44 x 55 cm)Acquired in 1872 R.F 19(S/AR)
52546 Valentine of Milan Mourning her Husband  Valentine of Milan Mourning her Husband   1802 Oil on canvas, 55 x 43 cm
58270 View of the Lagoon Near Venice  View of the Lagoon Near Venice   View of the Lagoon Near Venice, 1827. Louvre
20835 View of the Lagoon near Venice (mk05)  View of the Lagoon near Venice (mk05)   Card 12 x 17''(30 x 43 cm)Acquired in 1926 R.F 2558 (MN)
54519 Water Basin at Versailles  Water Basin at Versailles   mk235 c.1826 Oil on canvas

Richard Parkes Bonington
1802-1828 Richard Parkes Bonington Locations English painter. His father, also called Richard (1768-1835), was a provincial drawing-master and painter, exhibiting at the Royal Academy and the Liverpool Academy between 1797 and 1811. An entrepreneur, he used his experience of the Nottingham lace-manufacturing industry to export machinery illegally to Calais, setting up a business there in late 1817 or early 1818. In Calais the young Richard Parkes Bonington became acquainted with Louis Francia, with whom he consolidated and expanded whatever knowledge of watercolour technique he had brought with him from England. Under Francias direction Bonington left Calais for Paris where, probably not before mid- or late 1818, he met Eugene Delacroix. The latters recollection of Bonington at this time was of a tall adolescent who revealed an astonishing aptitude in his watercolour copies of Flemish landscapes. Once in Paris Bonington embarked on an energetic and successful career, primarily as a watercolourist. In this he was supported by his parents who sometime before 1821 also moved to Paris, providing a business address for him at their lace company premises.



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